Father-and-son coroners (Brian Cox and Emile Hirsch) enter a world of terror while conducting a late-night autopsy on a murdered young woman, in the English-language debut of Norwegian fearmonger André Øvredal (Troll Hunter).


Midnight Madness

The Autopsy of Jane Doe

André Øvredal

The much anticipated English-language debut by Norwegian director André Øvredal (Troll Hunter) is a riveting, chilling, and utterly original horror story. In small-town Virginia, police are called to a gruesome crime scene where a family has been massacred in their own house. In the basement, an even more disturbing discovery is made: the partially buried corpse of a nude woman. The cops take this unidentified victim to a small, family-run morgue, where they ask proprietor Tommy Tilden (Brian Cox) to perform an urgent forensic analysis in order to help determine what happened at the blood-stained house. Tommy's son Austen (Emile Hirsch) cancels a date with his girlfriend (Ophelia Lovibond) in order to help his father perform an autopsy, and the two Tildens set about their grisly examination in the morgue basement.

Working late into the night as they methodically peel back layers of skin, muscle, and bone, Tommy and Austen are baffled by the lack of external signs of trauma on the victim and the alarming extent of her internal injuries. Increasingly perplexed and frustrated by these forensic anomalies, the pair begins to succumb to late-night jitters, getting spooked at apparitions that seem to be lurking in the shadows. As the dread mounts and the atmosphere gets thick with evil, it becomes apparent that the Tildens' fate is intertwined with a darkness that neither of them can comprehend.

Hirsch and Cox bring an amusingly intimate familiarity to the father and son's idyllic but morbid livelihood, which slowly turns into a living nightmare. Grab the scalpel, turn on the tape recorder, and get ready to go deep into the inner cavities of a cadaver, where the mysteries are much more than skin deep.



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