Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past.

57

Discovery

Kati Kati

Mbithi Masya

Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.

Kaleche is a new arrival with no recollection of her life or death. A dozen other young Kenyans are all caught in the same eerie dormant state. They want for nothing; they simply write down whatever their heart desires and it appears at their bedside the next morning.

The group's unofficial leader is Thoma (Elsaphan Njora), who is passionate about helping the dead remember and reconcile with their fragmented pasts. But Kaleche's presence triggers a transformation in Thoma. Their mutual enchantment with each other unearths a sinister secret of his, forcing him to confront his own denial and pain.

Masya is one third of the alternative house-funk trio Just a Band, and his musical background clearly informs the film's lyrical rhythms — to say nothing of the way the script by Masya and co-writer Mugambi Nthiga crescendoes to a climax. With echoes of Wings of Desire and After Life, Kati Kati offers a dark reflection on personal atonement in the shadow of Kenya's past.

CAMERON BAILEY

Screenings

Sat Sep 10

Scotiabank 11

Regular
10:00pm
Sun Sep 11

Scotiabank 5

Industry
8:30pm
Mon Sep 12

Scotiabank 10

Regular
9:00pm
Tue Sep 13

Scotiabank 6

Industry
5:00pm
Thu Sep 15

Bell Lightbox 4

Regular
3:15pm