Amma Asante (Belle) helms this biopic of Seretse Khama (David Oyelowo), the former African royal who courted controversy with his interracial marriage to Englishwoman Ruth Williams (Rosamund Pike) and later led his nation to independence from the British Empire as the first president of Botswana.
A United Kingdom
Two luminous actors, David Oyelowo and Rosamund Pike, bring to life one of the great forbidden romances of the 20th century. That it's all based on a true story gives Amma Asante's follow-up to the acclaimed Belle even greater impact. Both sweeping and intimate, A United Kingdom illustrates how love can challenge even the harshest constraints.
London, 1947. Jazz lovers Seretse Khama (Oyelowo, also at the Festival in Queen of Katwe) and Ruth Williams (Pike) meet at a Missionary Society dance. The evening is electric, perhaps in part because both know their attraction is fraught. She's an accomplished office worker, and white. He is a charming law student, and black. What he can't tell her at first is that he's also a prince, first in line to the throne of Bechuanaland (today's Botswana). But despite the obstacles, it's love.
When the time comes for Seretse to return home to lead his people's independence movement, he impulsively proposes to Ruth. She accepts, but no one else does — not her family nor his. Neither does South Africa's government, which controls uranium Britain badly needs, and stands on the eve of making apartheid a national policy. They won't tolerate an interracial couple leading a neighbouring country, so Britain begins to work against what once seemed like the simple love between Seretse and Ruth.
Having already portrayed Martin Luther King Jr. in 2014's Selma, Oyelowo provides another stirring depiction of a heroic figure who used nonviolence to change the world's attitude toward racial integration. Pike is likewise magnetic as a woman whose openheartedness won over a culture initially inclined to shun her.
Their story plays out against a backdrop of regal English offices and sun-kissed Botswana plains. With her third feature, Asante has masterfully invoked a tumultuous moment in 20th-century Africa — one that boasts a glorious ending.