Agnès Varda’s 1977 masterwork is simultaneously a musical, a protest film, a portrait of a generation and, most importantly, a tender and insightful exploration of female friendship.
One Sings, the Other Doesn't
Inspired by the director's own engagement in the era's feminist politics, Varda's 1977 masterwork One Sings, the Other Doesn't chronicles the friendship of two women against the backdrop of the Women's Liberation movement in 1970s France. In the early '60s, teenager Pauline (Valérie Mairesse) helps Suzanne (Thérèse Liotard), a mother of two, obtain an illegal abortion. After Suzanne's husband commits suicide, the two women's lives take very different paths: Suzanne moves away to raise her two children and establish an independent career in family planning, while Pauline (now nicknamed "Pomme") forms an all-female political protest band before accompanying her Iranian lover back to his homeland. Despite long periods of separation and the distance between them, the women maintain a close bond over the course of more than a decade, always there to support each other through life's challenges.
Defying categorization, One Sings, the Other Doesn't is simultaneously a musical, a protest film, a portrait of a generation and, most importantly, a tender and insightful exploration of female friendship.