Filmmaker Alex Pitstra investigates his own roots as the love child of a holiday romance in Tunisia, part of a wider phenomenon in the 1970s wherein young, impoverished Muslim men would target and seduce European women on vacation.
Bezness as Usual
As Alex digs deeper, he learns his parents' relationship was part of a pattern. During the rise of mass tourism in the 1970s, young Tunisian men from poor families would target European women at beaches and hotels. It was their business — "bezness" in the local parlance. Alex wasn't the only child born of these encounters. He discovers a half-sister, Jasmin, in Switzerland and a cousin in Sweden.
Alex and Jasmin travel to Tunisia to meet their father. Mohsen is still full of the charm that seduced their mothers. But there are numerous tensions to navigate, arising from his Muslim faith, attitudes about women, economic disadvantages, and checkered past. By filming over a long period of time, Alex is able to create nuanced portraits, like a skilled novelist would. He probes his own motives and contradictions as much as he does those held by others.
As mass migration creates conditions for more children to be born of mixed cultural parentage, Bezness as Usual is a sensitive exploration of unexpected consequences.
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